projektit

Käynnissä olevia, menneitä ja tulevia projektejani! // Ongoing, upcoming or past projects of mine!

Lisätietoa ja kysymykset // More info and questions annasofia.anttonen@gmail.com

Uuden musiikin lokakuu

Toimin Uuden musiikin lokakuu -festivaalin taiteellisena johtajana yhdessä säveltäjä Tuomas Kettusen kanssa 2023-2024. // I am the new Co-Artistic Director of Ostrobothnian Contemporary Music Festival together with composer Tuomas Kettunen 2023-2024.

Tulossa: Kukkapilli – konsertti ja installaatio

Poikkitaiteellinen yhteistyöprojekti kuvataiteilija Armi Tevan kanssa, joka yhdistelee kokeellista soitinrakennusta, keramiikkaa ja elävää musiikkia. Työskentelyn lopputuloksena syntyy kokoelma
keraamisia veistossoittimia sekä niitä hyödyntäen sävelletty musiikkiteos. // An interdisciplinary collaboration with artist Armi Teva. The project combines ceramic art with experimental instrument building and music. The result will be an installation that becomes alive when there’s an instrumentalist inside.
Tulossa 2024 // Coming in 2024

Saxtronauts – Avaruusseikkailu

Lisätietoa Avaruusseikkailusta: www.saxtronauts.com

Photos by Emiliano Verrocchio and Eero Saunamäki, Vapaan Taiteen Tila 19.1.2020

Kaija Saariaho & Kaaos Ensemble Composition Masterclass

5.-9.10.2022 Uuden musiikin lokakuu, Oulu

Hildegardin puutarhassa

Visuaalinen ilme: Sanna Hellikki Turunen ja Oona Viskari

Monitaiteellinen konserttisarja Helsingin puutarhoissa, www.hildegardinpuutarhassa.com

sf(ÄÄRI)

My final exam at the Sibelius Academy, sf(ÄÄRI), will be a streaming-only concert without live audience. Welcome on board 30th of November 2020 17 o’clock Finnish time. You can join the stream by clicking here. Better quality videos of the concert will be posted on my YouTube channel after the concert! Hand program available here (only in Finnish at the moment).

Experimentations with sensors, music and human reactions

We have started a very exiting project with composer Matilda Seppälä, and first part of it got it’s first performance a few weeks ago in Helsinki Music Center. I was wearing sensors that were measuring my skin’s conductance, and the level of stress/calmness in my body was conducting the intensity of Matilda’s music. For example, when I was meditating on stage, the music was pretty calm. But when Matilda came to touch my hand for example, the music also reacted to that.

This will be an interesting journey, and we might learn something new about performing. The audience will get under the performer’s skin, because it is impossible to hide one’s physical reactions when performing with sensors.

We will continue experimenting with sensors and this type of performances soon! We are curious to see what happens when we add an instrument to this! Matilda will compose a piece for tenor saxophone, electronics and EEG-sensors for my final exam at the Sibelius-Academy. Can’t wait!